« An Experiment In Self-Publishing | Main | Canadian Politics: Softwood Lumber, The G.S.T., And A Trip To Washington »

CD Review: PovertyNeck Hillbillies PovertyNeck Hillbillies


Sometimes I think we forget what rock and roll music is all about, or even worse we place far too heavy a burden of expectations on it, expecting it to deliver something it's not meant to do. This is not highbrow music folks, it's supposed to be about the simple things in life and a lot of fun, but somehow it's been turned into this thing where the performers are now called artists and everyone takes themselves oh so seriously.

Have you tried listening to some of the lyrics out there? Some of them are so obscure that I don't even think the guy that wrote then knows what they mean. Everybody is trying to be so damn meaningful that they've forgotten how to have fun. It almost seems like they've forgotten who they are supposed to be writing for, the people who listen to the music, and are only trying to feed their over inflated egos.

Thankfully there are still bands playing who remember that rock and roll is good time music to be listened too on a Saturday night when your trying to get as far away from your troubles as possible. There is a fine tradition of roadhouse music in the United States that seems to fall in and out of fashion in the big urban centres, but continues to thrive out in the rest of the world. It's where Graham Parsons and his Grievous Angels, Commander Cody and his Airmen, and countless others used to play and keep people happy.
0-PNHTourPressShot
Carrying on that tradition comes a band out of Pennsylvania, the PovertyNeck Hillbillies. These guys may have all grown up physically in southwestern Pennsylvania, but musically they sound like they grew up in the juke joints and honkytonks a lot further south and west. They play a rollicking version of what a friend of mine used to call "foot stompin', beer drinkin' music", that has no pretensions other than to show you a good time.

While the PovertyNeck Hillbillies are being billed as a country band they owe a greater debt to Elvis then Conway Twitty. Sure they make great use of pedal steel guitar in their self titled album PovertyNeck Hillbillies but a lot of the great roadhouse bands before them have done the same. I don't know, maybe I'm just old, but when people say country band to me I think of the Sons Of The Pioneers not what these guys play.

So what do they play? After the first song on there new release, "The Night That Changed My Life", I was prepared to say they were like Hank Williams Jr., but more interesting. The further into the disc I got I realised that was a disservice to them (no offence Hank) as their sound shifted gears into that melodic country rock feel perfected by Blue Rodeo.

I don't mean the commercial, Southern California, Eagles type, mellow stuff that so many people seem to think of as country rock, but something with a genuine bite to it. They can hoot and holler with the best of them, but they can also bring that same intensity and emotional strength to a slow song.

When I listen to "She Rides Wild Horses" it evokes an image of an older biker, his long white hair tied back in a ponytail, dancing with his old lady at the end of the night while the bar empties around them. It's tough music and real, not caving in to cheap sentimentality that is the easy out for so many bands these days.

These types of bands usually have a hard time translating onto recordings. Whether it's because the atmosphere of a packed bar full of sweaty, laughing, half drunk people, dancing and having a good time is absent and takes away from their energy, or because it's the type of music that only works under the above conditions I don't know. But in the past I've found unless it's a live recording the disc doesn't live up to expectations.

Now I've never seen the PovertyNeck Hillbillies live, and maybe that's a plus for listening to them on disc, but I have a feeling there isn't going to be much of a let down for those of you who have. It wasn't hard while listening to picture them on stage in a huge old bar room with a throng of people just below the stage filling the dance floor.

Somehow they've managed to capture the feel of playing live while in the studio. That they've done this without sacrificing anything musically or technically is a significant accomplishment. It says a lot about the individual skills of the people in this band that they can be loose enough in the studio to generate a live atmosphere and still be musically tight as a band.

It's that type of playing ability that separartes the PovertyNeck Hillbillies from being just another roadhouse attraction that's a forgettable good time, and a band that you won't be able to forget after listening to. They have that little extra depth and soul to their music that goes a long way towards lifting them out of the crowd and into the spotlight.

Roadhouses and honkytonks have been home to and given birth to some of the best and most genuine pop music in North America. You can add the name of the PovertyNeck Hillbillies to the list of bands keeping that tradition alive.


Leap In The Dark

↑ Grab this Headline Animator

Google

Comments

Hey Richard,

I hear your point on the pretentious music trend. I don't know who it was who said that whenever they hear the word "art" in reference to music, they want to reach for their shotgun, but I understand the sentiment, if I don't agree with the prescription (or even own a B.B. Gun!).

I wonder if you would take a listen to my band's new album and consider writing a review. Our website is www.bluestateband.com and you can access all the mp3s on the album at www.bluestateband.com/album.htm.

FYI, I found you on Google searching for Americana bloggers.

--Aaron


I have seen these guys at the Chevy Amphitheatre in Pittsburgh and they're in a word, outstanding! In fact, Pittsburgh is a treasure trove of sweet music and with only a few exceptions they've hung onto this secret. From Rusted Root to the big band with the small name The Clarks, to Squonk Opera, the city pumps out melodic charms one after another, after another. It's nothing new for Pittsburgh. Da Burgh has long been a mecca for jazz and blues. Henry Mancini, Duke Ellington, Billie Eckstine, The Marcels, Fatha Hines and boys, Perry Como...more recently Christina Aguilera. Thing is you can stop in at The Extras or Rosebud on the Strip and be entertained superbly with musicians plying their craft on you. Or just as often have drop-ins from more established groups like Beck and you guessed it, PovertyNeck Hillbillies. I wonder what would ever have happened had Andy Warhol sang?